Posts tagged alan chin
Alan Chin’s Porch On TAP Residency: A Lens on Creativity and Connection

Can simply taking a photograph change how we see the world, and each other?

For Alan Chin, co-founder of Facing Change: Documenting Detroit, photography is more than art—it’s a way of navigating life’s complexities, building community, and unlocking potential.

Chin’s residency blended creative practice and community engagement through three central components: analog photography skill-building, mentoring Inside Southwest Detroit’s youth photography interns, and a trip to New York City during the annual Photoville festival to interact with the works of other photographers and organizations.

The Magic of Analog Photography

Participants in the first Darkroom 101 workshop series developed technical skills and learned to slow down, engage deeply, and connect meaningfully—with their craft, their peers, and their community. A pivotal moment came in the darkroom when participants saw their first film negatives transform into positive images. Chin described their experience as "thrilling" and "magical."

The power of joy and discovery was evident as participants watched their photographs come to life, demonstrating the transformative potential of hands-on learning.

Mentorship played a central role in extending the residency’s impact beyond the darkroom workshops. Alan Chin worked together with Gabriela Baginski, a skilled fine arts photographer and 2017 alum of Documenting Detroit’s fellowship, to mentor the first Portrait Studio interns in street and portrait photography throughout the summer.

A Transformative Trip to New York City

One highlight of the residency was the trip to New York City. Each day, participants explored a different aspect of photography, the city, and its people. Centered around a visit to Photoville, a celebration of visual storytelling with outdoor exhibits across all five boroughs, the trip exposed participants to a broad world of lens-based inspiration.

Chin hosted the group at his Brooklyn loft and studio for a home-cooked meal, sparking conversations about art, creativity, and life. Chin challenged them to see beyond the frame, teaching them “not only to frame compelling images but also to explain their projects and invite others into their creative process.”

The trip became a lesson in perspective and connection, showing how photography is as much about relationships as it is about capturing images.

An Invitation to Rethink Possibilities

As the director of Documenting Detroit, a key partner in the Avis Street Photo Studio, and resident artist for Inside Southwest Detroit’s Porch On TAP program, Chin brought a wealth of experience and unique vision to the neighborhood, offering a transformative workshop series for aspiring photographers.

Alan Chin’s Porch On TAP residency was an invitation to rethink creativity, collaboration, and possibility.

Developing Creativity: Inside the First Darkroom 101 Cohort

In the glow of a red light, alchemy happens. Tongs gently agitate paper in a bath. Images begin to emerge. Faint outlines sharpening into tangible memories. 


At Inside Southwest Detroit’s newly built community darkroom, participants discovered this firsthand in Alan Chin’s Darkroom 101 class, a part of his Porch On TAP residency. The 14-hour workshop taught both film development and printmaking.

Why analog photography, in a digital age?

Chin believes it offers a deeper connection to the craft. “This teaches you how light works, how chemistry works, how a sequence of events works, and how important each step in that sequence is,” he explained.

The idea of analog photography in Metro Detroit is novel in itself. "Outside of the universities and maybe some of the other schools, there are actually no public resources for analog photography in Detroit," Chin noted, emphasizing the importance of creating this community resource.  “We need both the rigor of an academic program and the flexibility of a non-academic program,” he said, reflecting on the balance needed to reach a variety of learners.

We need both the rigor of an academic program and the flexibility of a non-academic program
— Alan Chin

The community darkroom, built with “five enlargers and an eight-foot sink,” has become a hub for creativity. For the first cohort, this meant starting with the basics: loading black-and-white film onto reels, developing negatives in chemical baths, and creating their own contact sheets.

I cannot tell you how magical this is, to put the piece of paper into the developer and watch that initial image emerge in that liquid under the amber light.
— Alan Chin

Trial, Error, and Transformation

“The only way to make a successful print is through a certain amount of trial and error,” Chin explained. For participants, these moments weren’t just lessons—they were transformative experiences.

The class was about more than the mechanics of photography—it was about empowerment. Many participants had no prior experience with film developing film. Chin provided pre-loaded disposable cameras to ensure everyone had access to the tools needed to begin in the darkroom. From there the photographers learned to navigate the devices and chemicals, embracing the challenges and joys of the process. 

The first Darkroom 101 cohort left with technical skills and they walked away with a deeper understanding of creativity as a process.

Building a community darkroom isn’t without obstacles. Most of the equipment was donated, often requiring repair or adjustment. But Chin saw these moments as part of the process, teaching not only photography but resilience. The first Darkroom 101 cohort left with technical skills and they walked away with a deeper understanding of creativity as a process, one that involves experimentation, patience, and collaboration.